Taekwondo & Hapkido training prepares one to meet physical challenges,
but its mental aspects are equally important.
That Taekwondo & Hapkido does assume the importance of developing the
mind is shown in a number of ways. On one level training incorporates
various symbolic gestures, which are meant to set it apart from other
activities as a mental as well as a physical pursuit.
The student wears a suit of pure white to represent the
purity of spirit. The consciousness, which one must show towards maintaining
care over appearance in the Dojang, becomes a symbolic consciousness of the
spirit in which the art is to be pursued. The student is thus caused to look
inwardly to consider his or her attitudes and pursue the art thoughtfully.
The Student is also required to bow on entering and leaving
the Dojang. This is a gesture of respect for the seriousness of what takes
place in the Dojang and towards fellow students and instructors. It also marks
of, in the students mind, martial arts training from other more ordinary
pursuits. It is a gesture of leaving one’s worldly concerns outside the Dojang,
making it possible to focus purely on the tasks at hand. The idea of meditation
in the class carries this idea further. Ritualising the process of clearing the
mind and focusing one’s energies – an exercise in mental discipline and
concentration.
All these aspects, especially that of showing respect to
one’s fellow students (regardless of ability) and to the instructors, are
fundamental to the ideal of Taekwondo. & Hapkido This will provide a basis for developing
respect for one's self and one’s own accomplishments, as well as respect for
others in everyday life.
Chung Yong Blue Dragon
Taekwondo The way of the foot
and hand
Hapkido The way of coordinated energy
Kwang Jang Nim Grand
Master Instructor
Sa Bom Nim Master Instructor (4~6)
Chok Yon Nim Blackbelt
Instructor (1~3)
Do San Non-Blackbelt
Instructor
Kum Som Neda Thank
you
Do Bock Uniform
Tee Belt
Ho Goo Body
Protector
Do Jang Training
Hall
Kook Gye Korean National Flag
Qurogee Sparring
Hanbo Qurogee One
Step Sparring
Eebo Qurogee Two
Step Sparring
Sebo Qurogee Three-Step
Sparring
Jayo Qurogee Free
Sparring
Poomse Pattern
Gyeok Pa Breaking
Ho Sin Sul Self
Defence
Momtong Bashin Press
Ups
Chagi Undong Kicking
Exercise
Ap Cha Olligi Leg
Raising
Oreun Right
Wim Left
Sang-Dan High
Chung-Dan Middle
Ha-Dan Low
Counting
Hana One
Dool Two
Set Three
Net Four
Dasot Five
Yasot Six
lkop Seven
Yodol Eight
Ahop Nine
Yol Ten
Il First
Ee Second
Sam Third
Sah Fourth
Oh Fifth
Yook Sixth
Chil Seventh
Pal Eighth
Koo Ninth
Sip Tenth
Commands
Charyot Attention
Kyong Ye Bow
Joonbi Ready
Si Jak / Shi Sha Start
Keuman Stop
Paro Return
To Start
Shi Yo Rest
/ At Ease
Kalyeo Break
/ Separate
Key
Seok Continue
Haessan Dismiss
DwiroTorra About Turn
Baquo Switch
Parts of the Body
Med-Ri Head
Eolgool Face
Ima Forehead
Noon Eye
Ko Nose
Ip Mouth
Teok Chin
Gui Ear
Mok Neck
Momtong Body
Ga-Seum Chest
Pal Arm
Pal-Koop Elbow
Pal-Mok Wrist / Forearm
Son Hand
Son-Garak Finger
Son-Nal Knife-Hand
Son-Nal-Deung Ridge-Hand
Pyon-Son Spear-Hand
Ageum-Son C-Hand
Batang-Son Palm-Hand
Han-Son-Garak One Finger
Gawi-Son Two Finger
Joomeok Fist
Deung-Joomeok Back-Fist
Me-Joomeok Hammer-Fist
Bo-Joomeok Covering of Fist
Bam-Joomeok Single Knuckle Fist
Pyon-Joomeok Flat-Fist
Arae Leg
Mureup Knee
Bal Foot
Bal-Garak Toe
Bal-Nal Knife Edge Of Foot
Bal-Nadak Inside Edge Of Foot
Bal-Deung Instep
Ap-Chook Ball Of Foot
Dwi-Chook Heel
Dwi-Koomchi Achilles Heel
Hur Waist